Ryan Reed is a freelance music/culture writer/editor. He also contributes to Rolling Stone, Relix Magazine, Revolver, Pitchfork, and other publications.
Ryan Reed
New James Bond Film ‘No Time to Die’ Delayed Yet Again
Daniel Craig's fifth and final Bond role has been delayed numerous times.
Metallica Producer Bob Rock Sells ‘Black Album’ Rights
Sale, which also includes Michael Buble tracks, involved Hipgnosis Songs Fund.
30 Years Ago: Two New Guns N’ Roses Members Make Their Live Debut
Keyboardist and drummer played first show with hard-rock band on Jan. 20, 1991.
Dave Grohl Recalls Visiting Lemmy’s ‘Disgusting’ Home
“These aisles of magazines and VHS tapes, stacked three to four feet high, Lemmy sitting on the couch, in his black bikini underwear with a spiderweb on them."
Dennis DeYoung on 40 Years of Styx’s ‘Paradise Theatre’
Band's former singer and keyboardist reflects on album's grand inspiration and tour.
Hear Rick Springfield Front New Version of Badfinger Song
Revamped "Love Is Gonna Come at Last" precedes new Badfinger LP also featuring guest spots from Todd Rundgren and Rick Wakeman.
Fleetwood Mac Drummer Mick Fleetwood Sells Recorded Music Rights
Dollar amount is currently unknown for deal, which follows publishing sales from Stevie Nicks and Lindsey Buckingham.
Watch ZZ Top’s Billy Gibbons Reunite With Rhinestone Suit
Guitarist inspects garments, which he accidentally left on a 1974 flight, during recent 'Pawn Stars' episode.
Rush Album Art: The Stories Behind All 19 LP Covers
Decrepit puppet kings, fireball jugglers, dalmatians next to fire hydrants — the band wasn't afraid to experiment with its sleeves.
AC/DC’s Angus Young Hasn’t Written Music With Axl Rose
"Nothing really came out solid," guitarist said of potential collaboration with Guns N' Roses singer.
Why Rush Went ‘Minimal’ for Cover of Final LP, ‘Clockwork Angels’
Art director Hugh Syme considers the prog-rock band's 2012 LP its "opus," particularly for Neil Peart.
Rush’s ‘Roll the Bones': How Theme of ‘Chance’ Inspired Cover
Art director Hugh Syme explains how he expanded on the lyrics for the cover of 1991 LP.